All Domenico Ghirlandaio Oil Paintings

Italian 1449-1494 Domenico Ghirlandaio Galleries
 
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  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
Domenico Ghirlandaio Its image oil painting


Its image
Gemälde IDENTIFIZIERUNG::  58156 		Its image
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602.
   
   
     
Domenico Ghirlandaio An Old Man and His Grandson oil painting


An Old Man and His Grandson
Gemälde IDENTIFIZIERUNG::  59052 		An Old Man and His Grandson
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris
   
   
     
Domenico Ghirlandaio Portrait of a Young Woman oil painting


Portrait of a Young Woman
Gemälde IDENTIFIZIERUNG::  59053 		Portrait of a Young Woman
Portrait of a Young Woman
Portrait of a Young Woman
   
   
     
Domenico Ghirlandaio Supposed self portrait in Adoration of the Magi oil painting


Supposed self portrait in Adoration of the Magi
Gemälde IDENTIFIZIERUNG::  59054 		Supposed self portrait in Adoration of the Magi
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence
   
   
     
Domenico Ghirlandaio Study oil painting


Study
Gemälde IDENTIFIZIERUNG::  62402 		Study
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable
   
   
     
       VORHERIGE  4  5  6  7  8  10  11   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries

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